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Flac bitrate converter how to#
I thought about this for a while I could load Audacity, mess around to get the starting points aligned, subtract the two, and voilà, the bitstream of zeros would show that the files are equivalent. But I foresaw a fair bit of work in that approach, plus I didn't see how to best present the bitstream of zeros as evidence. The Well-Tempered Computer article suggests loading both files into an audio editor and subtracting the two tracks. So how could I convince someone that FLAC is a safe storage format for precious musical bits? Using the command line to prove my case
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Flac bitrate converter zip#
I mean, heck, do we worry that putting our documents in ZIP format might cause us to lose some characters from our sentences? But I really respect this person, who has a great deal of experience in recording and engineering music. I am sure that some of you reading this will be scratching your heads over such an opinion because the whole point of FLAC is lossless compression. Moreover, he believes that such loss of quality means you should never purchase FLAC files when WAV files are available because converting the FLAC back to WAV would be a poor copy of the original. Specifically, he believes something is lost in the conversion from WAV to FLAC and that a "second-generation" WAV resulting from the conversion WAV (1st generation) → FLAC → WAV (2nd generation) would be inferior to the original. In the past, I mostly ignored this whole debate, but recently I found myself in a discussion with someone I greatly respect who held the opinion that FLAC was inferior to WAV in terms of the music content.
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The exact ways that patterns are recognized vary based on the format and type of data, but the result is still the same, the information density is increased resulting in the same amount of information stored in less space. We can notice that The, cat, see, can are all used multiple times, so we say:ġ=the 2=elephant 3=see 4=can 5=that 124351dog43512is here.Īs you can see, all the same information is there, but it took less space. The elephant can see that the dog can see that the elephant is here.
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They could read the data linearly and play it back (hence Linear PCM) where as FLAC requires reading the entire file at once which wouldn't have worked for CDs in the early days even without the processing issues.Īs for an example of how lossless compression can work in a general case, lets assume you had the following string CDs were basically the digital equivalent of a record player. This means that a player needs a lot more processing capability to play the audio back, but can use less space to store it.Īdditionally, it has the disadvantage of not being a linear read. This allows for potentially much smaller amounts of data to be used to represent the same stream, but it means that the decoder has to put the jigsaw puzzle back together before it can actually meaningfully play the file. A variety of techniques can be used to achieve lossless compression, but they effectively involve finding patterns in the data and then storing the pattern rather than every incidence of the pattern. It is extremely easy to reproduce the audio from, but doesn't make any attempt to limit it's size.įLAC is a newer format which makes use of lossless compression to store the same exact data (lossless) but in a compressed manner so that it takes less space. Raw PCM data, such as what is on a normal CD or a normal PCM wav file is a direct representation of the audio waveform.
Flac bitrate converter portable#
CDs came from a time when portable processing capability was relatively limited.